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Opinion / Editorial

Journey into the world of landscape and emotion

Journey into the world of landscape and emotion

Visiting a premature exhibition, opened in the central lobby of
the National Historical Museum at the end of 2022 by the painter Agim Dervishi, although it was abundant to create a more convincing impression and gain more complete emotions, the desire arises and the temptation to look even further into the fund of his works in the studio and in the catalogs, to consolidate the impressions and determinations on this extra-impressionist author, lover of the landscape.
And considering the arsenal of his works, in the overwhelming part in the genre
of landscapes, realized mainly in the technique of oil on canvas, complemented by portraits and still lifes, the opinion born initially on the extra-impressionist character of this painter is reinforced. even further. He is a master of the easel and a friend of the brush, a lover of the canvas and a classical landscape painter, strongly connected to nature, but also inspiring freedom in pictorial art.
Impressions that are outlined
Although the variety of landscapes gives the idea of ??a tourist who is passionate about
nature, meanwhile he is not a tourist who merely observes its elements, its intertwining and its beautiful and impressive harmony, but he lives with the landscape that describes it artistically, and spiritualizes it. A tourist who wanders exploring the spirit of nature that he approaches, melts it into a symbiosis with his own soul through the play of colors, the delineation of lines, the spirit that pours over the landscapes he takes in hand to turn into art.
In his subsequent works, he sees a landscape that is no longer realistic, not natural, but new, intertwined with the spirit and impression of the author, it opposes those elements that are no longer found in nature but in his experience, in the new conception and image of the landscapes that the author himself touches with his hand, with his mind and especially with his soul. A world of unrepeatable landscapes, unique in perception, with lights and colors that no one else sees but him in those natural passages that he treads, where the love for his homeland, Mati, but also for other landscapes throughout Albania, in the city, is combined and especially in the wonderful natural spaces, in those perspectives and in those
particularities that only he knows how to discover and experience, further transforming them into artistic values ??on the canvas. The Albanian landscapes of Liri and other foreigners, meanwhile, are alive here, not panoramic, with expressionist elements, even though our painter is an impressionist, and even extra-impressionist. It seems that he lives with the landscape, merges with it in the moments of his artistic creation.
Mastery in mastering the canvas and expressiveness
The painter Dervishi dominates the frame of the canvas by pouring emotion on it,
his impression and expression. His free admiration for nature is the oxygen of his creativity. He uses nature as the main subject for his works, revealing his spiritual perspective and worldview on the environment and colors. In his works, a symbiosis can be observed between the nature of the author and the subjects that he gives life to through color. Vision, love and emotions are the spiritual catalyst that lead him to the colorful dreams that he sees with his eyes and materializes on canvas. A further characteristic of his, but quite powerful, is the persistence and will to lead towards the world of colorful visions. He is a
great lover of the landscape and prefers to work in nature, "en plein air".
Absorbing the energy of nature and playing with light
In the realization of scenes from everyday life, the energy of nature that
is absorbed is felt, as well as the concentration on the effect of light and graphic and color spots.
His goal is to create art from his pure point of view, without noise or scum. He has a particular attraction to rural landscapes and pastoral scenes, but is not limited to them. Urban environments are very attractive and enlivening subjects. Landscapes, both in the city and in the countryside, are natural and influential subjects for him, bringing his spirit closer to impressionism and giving it expressionist nuances.
Vibrant colors in Agim's works reveal sensibility and energy
mainly related to the spring life of nature and light. From yellow to blue, it creates the dominance of many squares in full bloom. He is an observer of the effect of light and its vibrations on colors and the graphic relationships that light creates when it enters into relationship with the pictorial space. Meanwhile, graphic and color contrasts can be found in graphic elements as pictorial balance.
And this characteristic is observed throughout the time frame of his creativity,
giving us a continuity of approach to nature. In illustration of this we
stop to analyze the landscape "Winter in the village", a picture of the time of youth, from 1985, which is a beautiful representation of a winter scene in the village that captures the beauty and characteristics of life in those conditions

Journey into the world of landscape and emotion

Zgjedhja e një skene dimërore shpreh një dëshirë të autorit për të përjetuar
artistikisht qetësinë dhe bukurinë e ftohtë të natyrës. Ndjehet në të një lidhje e fortë emocionale dhe nostalgjike me atë mjedis. Përdorimi i ngjyrave të ftohta e të qeta pasqyron ndjenja introspektive apo një fazë reflektive të jetës së artistit. Ngjyrat e rrobave të varura ofrojnë një kontrast kolorik që ngjall shpresë dhe jetë edhe mes kushteve të ashpra të motit. Kjo është arritur me teknikën e përzierjes së brushave të trasha e të imta, duke krijuar tekstura kontrastuese që i japin pikturës një efekt lëvizjeje, dhe ku vibrimet e ngjyrës flasin për një ndjeshmëri në përshkrimin e detajeve. Atmosfera e përgjithshme e veprës është e qetë dhe e freskët, duke përçuar një ndjesi paqësore dhe harmonike të jetës në dimër. Ndërveprimi i njerëzve me mjedisin shfaq prirjen artistike dhe psikologjike të autorit për ta parë
peisazhin në simbiozën mes natyrës dhe njerëzve të cilët në veprimtarinë e
përditshme të tyre përshtaten dhe shkrihen me ritmin dhe veçoritë e motit.

Journey into the world of landscape and emotion

Emocioni dhe ndikimi i vendlindjes në krijimtari
Emocioni dhe impresioni njëherazi në krijmet e Agimit krijojnë marrëdhënie
që përfshijnë sytë, mendjen dhe zemrën. Ai depërton tek shijuesi i tablosë me dlirësi dhe gëzim nëpërmjet ekspresionit koloristik. Dashuria për natyrën shqiptare, për vendlindjen e tij Matin, shprehen mbi telajo, dhe peisazhet e virgjëra matjane janë motive të parreshtura në krijimtarinë e tij. Për Agimin, dashuria për vendlindjen është një burim i pashterrshëm frymëzimi. Peisazhet matjane, me bukurinë e tyre të paprekur, janë reflektime të shpirtit të tij. Këto peisazhe, të cilat ai i pikturon me një ndjeshmëri të thellë dhe një ndjesi të brendshme përkatësie, janë një tribut për rrënjët e tij dhe për lidhjen e tij të pandarë me tokën ku ka lindur dhe është rritur.
Një aspekt i rëndësishëm në veprat e autorit është dashuria dhe respekti për
vendlindjen majë kodrinës ngjitur me fushën e Batrës buzë lumit Mat. Në shumë prej pikturave të tij, ai shpesh përfshin dhe elementë që i kujtojnë fëmijërinë; diku
gjen të siluetuar edhe nënën, çastet e kaluara të cilat i gjurmëzon plot ngjyra në të tashmen. Kjo lidhje e thellë është një burim emocionues që ndikon pothuaj në të gjithë krijimtarinë e tij, duke i dhënë veprave një përmasë të veçantë emocionale dhe shpirtërore.
Këtë e shpreh më së miri peisazhi “Batra”, një tablo me teksturë penelatash
dhe ngjyra të pasura. Ngjyra e gjelbër dhe ajo e verdhë mbizotëruese në pjesën e poshtme të pikturës krijojnë një ndjesi begatie të pjellorisë së tokës, ndërsa ngjyrat në gamën e së kuqes të çative të shtëpive krijojnë një kontrast dhe ritëm koloristik e grafik. Ngjyrat e ngrohta dhe të ftohta janë gërshetuar dhe tretur në harmoni e me masë për të krijuar ndjesinë e thellësisë e të perspektivës. Përdorimi i penelatave me shtresa tonesh ngjyrore krijon një teksturë të pasur dhe një perceptim të thellësisë në dinamikë, duke të dhënë një ndjesi energjie, gjallërie dhe ngazëllimi.
Tekstura e spikatshme e ngjyrave të çon në këtë ndjesi lëvizjeje dhe laryshie dritash mbi sipërfaqen piktorike të tablosë. Ana kompozizionale është e organizuar me kujdes që ta orientojë syrin e shikuesit nëpër peizazh. Linjat diagonale të përvijimit të rrugëve dhe kanaleve e drejtojnë syrin drejt thellësisë së pikturës, ndërsa shtëpitë e shpërndara krijojnë një ritëm pa përsëritje. Perspektiva e atmosferës është përdorur për të dhënë një impresion të distancës me malet në sfond dhe kodrinën ku shtrihet qyteti i Burrelit. Ngjyrat kanë një tis të mjegullt dhe janë më të
zbehta. Stili i kësaj tabloje ka një ndërthurje mes impresionizmit, postimpresionizmit dhe shkëndijave ekspresioniste. Ndjehet një shkollë van Gog dhe Paul Cézan. Kjo vepër përçon një ndjesi të bukurisë, të harmonisë së natyrës dhe jetës së thjeshtë.
Journey into the world of landscape and emotion

As we said at the beginning of the article, in the arsenal of his works, in the
overwhelming part of the landscape genre, there are still lifes and portraits, where an impressionistic tendency of the author can also be observed in them. And one of the works that expresses this characteristic of the author in this last genre, is "Self-Portrait" realized in 2020, with impressionistic nuances and outstanding emotional depth. It shows the use of warm and cold shades, where strong and soft colors create a balanced contrast. The artist's facial expression is calm and reflective, conveying a sense of mental depth. This makes the viewer stop and reflect on the emotions and thoughts of the portrait. It uses bold, loose brush strokes on the canvas. Lighting is used
sparingly to bring out the details and psychology of the face. Graphic strokes are strategically placed to emphasize the shape and texture of the portrait. The composition is well balanced, with the face centered and slightly tilted. The dark and plain background helps to focus the viewer's attention on the artist's face and expression. The background colors are mixed and create a contrast with the brighter colors of the portrait. The use of chiaroscuro shows a high level of technical and artistic skill. Agim Dervish's self-portrait is a testament to the artist's talent and dedication to his art.
Conclusion Art requires a complete relationship involving the eyes, mind and heart.
In this context, Agim Dervish's works are an exciting and
impressive journey into the world of landscape and color. He manages to capture the beauty of nature and convey it with a deep sensitivity, inviting us to experience his emotions through each created picture. He is not just a painter, he is a poet of color and light, a soul that leads us into the depths of his feelings through the landscapes he creates with such love and devotion.