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Kultura

Saimir Kumbaro: Qazim Mulleti was not an ignorant man, "The Prefect" can be staged, but in no way keeping authentic characters

Saimir Kumbaro: Qazim Mulleti was not an ignorant man, "The Prefect"

The play "Prefect" written by Besim Levonja, with the artistic reading that took place at the National Theater a few days ago aroused many reactions. Various citizens, artists or members of parliament became part of the discussions for this work at the National Theater because, according to them, it denigrates the figure of Qazim Mulleti. Well-known director Saimir Kumbaro says that the work "Prefect" by Besim Levonja does not leave him in good taste. According to the well-known director Qazim Mulleti, he was an intellectual and not as treated in that work, who recently had an artistic reading at the National Theater of "ArTurbina". "Qazim Mulleti was not an ignorant man as treated in Besim Levonja's comedy. Qazim Mulleti has been a very interesting person. "That work does not leave me with good taste", says the director Saimir Kumbaro. In the face of numerous discussions caused by "The Prefect" written by Besim Levonja, the well-known director Saimir Kumbaro says that history should not be distorted. Director Kumbaro goes on to say that that work may well be on the stage, but not keeping authentic characters. "It is not right for you to treat historical characters as you like, distorting history. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. renowned director Saimir Kumbaro says the story should not be distorted. Director Kumbaro goes on to say that that work may well be on the stage, but not keeping authentic characters. "It is not right for you to treat historical characters as you like, distorting history. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. renowned director Saimir Kumbaro says the story should not be distorted. Director Kumbaro goes on to say that that work may well be on the stage, but not keeping authentic characters. "It is not right for you to treat historical characters as you like, distorting history. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. Director Kumbaro goes on to say that that work may well be on the stage, but not keeping authentic characters. "It is not right for you to treat historical characters as you like, distorting history. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. Director Kumbaro goes on to say that that work may well be on the stage, but not keeping authentic characters. "It is not right for you to treat historical characters as you like, distorting history. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work. The work can be put on stage as a comedy, but in no way by keeping authentic characters, that you give authenticity to the work then, determines the work. You can put a comedy "Prefect" on stage, but not holding characters that are unreal, that Qazim Mulleti was not ignorant, but was in several foreign languages. The work can be put on the stage with other names ", continues the director Kumbaro about this debate, which is continuing with this work.

 Works before the '90s

Albanian theatrical works written before the 1990s are different. But director Saimir Kumbaro says that a selection should be made if they are chosen to be on stage, so as not to provoke reactions like with the "Prefect". "You have to keep the work in that kind of plan, so as not to cause a reaction like this case", says the director Saimir Kumbaro. The work "Prefect" written by Besim Levonja sparked debates earlier and in the Media Commission. The artistic reading of the play took place at the National Theater, where opposition MPs in the Committee on Education and the Media said, among other things, that such a performance could not be purely artistic. According to them, a statement should be issued, condemning the return of the part "Prefect", which denigrates the figure of Qazim Mulleti. Previously, there was the association "Tirona Intellectum", who reacted harshly to the return of this work. The artistic reading of the work "Prefect" took place livestream on Facebook for the November holidays. In this project directed by Spiro Duni are well-known names of actors, but the work caused a strong reaction. Qazim Mulleti was the mayor of Tirana (1939-1940) and later the Prefect of Tirana (1942-1944).