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Written by Luan KURTI 14 Maj 2022

In this year's Eurovision, Albania was disqualified from the first night. And the bill of failure was handed over to the singer. Sefte, without making the assessments, wrote that Ronela ignited the festival stage and when the expectations were extinguished, they did not hesitate to cross it, to consider it a performance on the verge of scandal, of shame! The critics were not just ordinary, ordinary people, but also from the ranks of artists, fellow singers or composers, and even journalists. In addition to the song and the level of the performer, some put their finger on Ronela's dress and gestures that dictated the disqualification. Not to deviate from this point: I personally see this as a ploy by the singer and the accompanying staff to suggest the audience and the jury take the song to the background, to escape the previous "sin" of an ART festival without criteria and the announced failure. Which turned you into a boomerang and became the cause of memes circulating on "you tube" from foreign portals and television stations. There were countries that performed just as poorly, if not worse, with songs like "Give the wolf a banana" from the cycle of fairy tales "Liza in the world of wonders". Israel with a similar song, with imitations of chicken coops once won the first prize. But it is known that Eurovision is full of preferences, of patriotic "en bloc" voting; the big ones forgive you perversions and that the hair in the little one's eye looks like a beam. But let's deal better with ourselves. Although she failed "successfully", Ronela boasts that she has won her festival, that she has won the hearts of the public and online clicks. This kind of euphoria on the verge of cynicism, the victimization that "it would not be a place of honor anyway" does not suit a professional singer, does not give hope for reflection on a sound basis. This has become something unique for us Albanians, who always blame others, the "enemies who have caught our eye"! Being detached from Ronela, none of the speakers or backlinks can wash their hands like Ponc Pilati. Probably, if Ronela had qualified for this kind of discussion, it might not have taken place at all and we would have continued to be "proud" of our absurdity, to show solidarity with the eagle gesture in front of our chest. From the discussants, protagonists of festivals, who in their artistic activity have not been so sharp, more than the arguments, the detailed analysis of the phenomenon that has been swarming for many, many years, the haste is noticed, a kind of blind revenge in the broadest sense, rather for indulgence and personal account. They even raise their voices for vulgar texts, written by non-professionals, when in their youth they have done no better and have probably been appreciated with awards. Without doing the advocacy, even the relevant ministry, who is in trouble, can not keep it. Although the jury of the festival where Ronela was selected as the winner were specialists in the field, still the product was scarce, they took everything to the devil. Apparently evil, monopolization, cocci have become part of our DNA, a pattern where good seed is lost and a priori hybrids are cultivated. This is not a matter of the individual, a group of people, a leader or an institution, but a bell that should concern us all without exception, that it has to do with today, with the future, with tradition, with our national identity. In a technological world, with economic, military, space control, influence-based mergers and "clash of civilizations" priorities, culture is one of the few things we can compete with. And we are doing this in the worst possible way!
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