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Kultura

The "Seven Saints" after the restoration intervention escape destruction

The "Seven Saints" after the restoration intervention escape

The "seven saints" of the "Onufri" museum escape destruction. The work that was realized in 1873, after a restoration intervention is saved. The Minister of Culture Elva Margariti says that after a long and careful work in the Laboratory of Works of Art in the Museum of Iconography "Onufri", the restoration intervention of another work in the collection of the museum has been completed. "A work from 1873 by the author Adam Kristo from Samarina, which presented serious problems. Now it is not only a saved work, but also refreshed. "Its values ??have come to light and it is joining the 'series' of saints, who are waiting and escorting visitors to the city of 'one on one windows'", the Minister of Culture says in a status for the "Seven Saints". The museum collection consists of 200 objects selected from the funds of churches and monasteries of the district of Berat. It consists mainly of icons and a set of liturgical objects. The works of this museum date from the oldest of the XIV century to the beginning of the XX century. The icons were made by icon painters such as: Onufri, Nikola, son of Onufri, Onufër Qiprioti, David Selenica, Kostandin Shpataraku, Adam Kristo and painters with the surname Çetiri (Gjergji, Joani, Nikolla, Naumi, Gjergji i riu and Ndini), as and by many other anonymous painters. And the liturgical objects, mainly, bear the signature of Albanian jewelers over the centuries. The wood carvings of the cathedral were made by masters Stefan Barka from Misras of Opar and master Naum Ngjela from Lavdari of Opar at the beginning of the 19th century. The iconostasis of the Cathedral of the Assumption of the Virgin Mary is dated 1807. It is considered one of the best works created by Albanian woodcarving masters. Iconostasis ornaments represent some features and principles of the Baroque style, a predominant and distinctive trend of churches built in the Balkans during the XVIII and XIX centuries. All these motifs are intertwined with other elements of the Byzantine tradition. Under the floor of the apse on August 12, 1968, were found the two Codices of Berat, "Codex Purpureus Beratinus" of the century. VI AD and after Christ "Codex Aureus Anthimi" of the century. IX. a predominant and distinctive trend of churches built in the Balkans during the eighteenth and nineteenth centuries. All these motifs are intertwined with other elements of the Byzantine tradition. Under the floor of the apse on August 12, 1968, were found two Codices of Berat, "Codex Purpureus Beratinus" of the century. VI AD and after Christ "Codex Aureus Anthimi" of the century. IX. a predominant and distinctive trend of churches built in the Balkans during the eighteenth and nineteenth centuries. All these motifs are intertwined with other elements of the Byzantine tradition. Under the floor of the apse on August 12, 1968, were found the two Codices of Berat, "Codex Purpureus Beratinus" of the century. VI AD and after Christ "Codex Aureus Anthimi" of the century. IX.